Section 9 of 223:6-11Song of Solomon
All sections
Jump to a verse
Open a verse without taking it out of context.

Try Song of Solomon 8:6, Song of Songs 8:6, or Canticles 8:6.

Choose book, chapter, and verse

Song of Solomon 3:6-11, King James Version

King James VersionSong of Solomon 3:6-11

Italic words were supplied in the English translation for clarity.

Song of Solomon 3:6-11

Solomon's Perfumed and Armed Procession

A wilderness approach arrives as smoke, spice, and hired perfume

Who is this coming out of the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with all powders of the merchant? The question is for watchers. The approaching thing is spectacle: scent bought, smoke seen, a procession before a face is known.

Solomon's bed is armed, costly, and shown to Zion's daughters

Behold his bed, which is Solomon's: sixty valiant men about it, of the valiant of Israel, all holding swords, expert in war, a sword on every thigh because of fear in the night. The king made himself a palanquin of Lebanon wood, silver pillars, gold base, purple covering; the midst is paved with love for the daughters of Jerusalem. Daughters of Zion are told to go forth and see Solomon in the crown his mother set on him on the day of his espousals, the day of the gladness of his heart.

Royal marriage can be sung without becoming the lovers' rule. Night fear around a king's couch is not the same ethic as the woman's green bed and maternal house. Do not baptize the armed litter as the Song's picture of how love should travel.

How this should shape us

Distinguish pageantry from mutual speech. Wealth, guards, and a wedding-day crown may impress a crowd; they do not give a king the right to absorb the woman's voice or to treat fear at night as a reason to fence other people in.

Teach it back

Explain Song of Solomon 3:6-11 in your own words. Include its lyric movement, one material uncertainty, and one coercive or reductive use the context rules out.

Your explanation stays in this browser. It is not sent or saved.

Go deeper

The explanation above is meant to stand on its own. Open these notes only if you want language, history, disagreements, or source locations.

Where careful interpreters disagreeThe strongest options and their difficulties

Where do careful interpreters disagree?

Best judgment: Celebration, parody, contrast, wedding song, and narrative-plot readings all have defenders. The royal referent is explicit; the scene's tone and relation to the lovers are not.

How certain? probable
Research trail and exact locationsThe source record behind this section
King James (Authorized) Version — eng-kjv2006

Supports: Exact Scripture wording, paragraph markers, supplied-word markup, and complete verse coverage.

Song of Solomon 3:6-11, pinned eng-kjv2006 USFM corpus

Open Scriptures Hebrew Bible: Song of Songs

Supports: Masoretic Hebrew wording, morphology, speaker-gender signals, wordplay, poetic clauses, and translation questions.

Open Scriptures MorphHB v.2.2, commit 6a5db284c715c18b239422e57bb89684e6a19f00, wlc/Song.xml, 3:6-11

NET Bible: The Song of Songs with translators' notes

Supports: Verse-level textual, grammatical, literary, historical, and translation alternatives.

NET Bible Song of Songs PDF, printed pp. 1239-1242, translation and notes on 3:6-11

The Song of Solomon

Supports: Genre, voice, unit boundaries, anthology and unity questions, garden and body imagery, and Jewish and Christian reception.

Brenner, 'The Song of Solomon,' Oxford Bible Commentary, printed pp. 429-433, unit division and commentary relevant to 3:6-11

Sources for This Section

These records identify the source, the claim it supports, and the exact location used. A source remains evidence to evaluate; it does not replace the biblical text.

Biblical text

King James (Authorized) Version — eng-kjv2006

eBible.org and CrossWire Bible Society

USFM archive eng-kjv2006_usfm.zip; source files dated 2026-08-19; downloaded 2026-08-24; archive SHA-256 aec1b3b26c622fd3d963d2bbac963016b9513246ffbfa20da00bb100372ea007; normalized corpus SHA-256 09aef51d90488aa7b9722b3fd9a93f4b25f6bf2064c5fd798fb39673c300ddf2.

Supports: Exact Scripture wording, paragraph markers, supplied-word markup, and complete verse coverage.

Exact location: Song of Solomon 3:6-11, pinned eng-kjv2006 USFM corpus

Open source ↗

hebrew text and morphology

Open Scriptures Hebrew Bible: Song of Songs

Open Scriptures

Open Scriptures, release 2.2

Supports: Masoretic Hebrew wording, morphology, speaker-gender signals, wordplay, poetic clauses, and translation questions.

Exact location: Open Scriptures MorphHB v.2.2, commit 6a5db284c715c18b239422e57bb89684e6a19f00, wlc/Song.xml, 3:6-11

Open source ↗

translation and translator notes

NET Bible: The Song of Songs with translators' notes

Biblical Studies Press

Biblical Studies Press, 2006

Supports: Verse-level textual, grammatical, literary, historical, and translation alternatives.

Exact location: NET Bible Song of Songs PDF, printed pp. 1239-1242, translation and notes on 3:6-11

Open source ↗

modern critical commentary

The Song of Solomon

Athalya Brenner

Oxford University Press, in The Oxford Bible Commentary, 2001

Supports: Genre, voice, unit boundaries, anthology and unity questions, garden and body imagery, and Jewish and Christian reception.

Exact location: Brenner, 'The Song of Solomon,' Oxford Bible Commentary, printed pp. 429-433, unit division and commentary relevant to 3:6-11

Open source ↗