Verse Lens · Context pointer

Song of Solomon 2:11 Explained in Context

Use this verse as a doorway into the larger passage—not as an isolated saying.

Selected verse

Verse 11. For, lo, the winter is past, the rain is over and gone;

King James Version — public domain in the United States · Bible text and permissions

Role in This Section

This verse grounds the invitation in winter and rain having passed.

Read It With

  • Song of Solomon 2:8-17

Read Song of Solomon 2:11 with 2:8-17. This verse grounds the invitation in winter and rain having passed. The complete unit establishes this movement: The woman hears and quotes the beloved's spring invitation, but concealed space, vineyard threats, mutual belonging, and a final call across divided mountains keep union desired rather than possessed.

Why It Needs Context

Read this line with Song of Solomon 2:8-17. The surrounding poem supplies the complete lyric movement summarized here: The woman hears and quotes the beloved's spring invitation, but concealed space, vineyard threats, mutual belonging, and a final call across divided mountains keep union desired rather than possessed.

Read Song of Solomon 2:8–17 together

Why these verses belong together: Approach, barrier, spring invitation, hidden voice, foxes, mutual belonging, and the call to turn form one spring poem.

Verse 8. The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.

Verse 9. My beloved is like a roe or a young hart: behold, he standeth behind our wall, he looketh forth at the windows, shewing himself through the lattice.

Verse 10. My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.

Verse 11. For, lo, the winter is past, the rain is over and gone;

Verse 12. The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land;

Verse 13. The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.

Verse 14. O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.

Verse 15. Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes.

Verse 16. My beloved is mine, and I am his: he feedeth among the lilies.

Verse 17. Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.

Continue in Context

Read the complete section for the connected explanation and how it should shape life. This verse is a doorway into that passage, not a saying that stands alone.

Read Song of Solomon 2:8-17 — Spring Calls the Lovers Outdoors
Sources used for this context pointer

How certain is this explanation? strong

These are the sources used directly for this lens. Language, grammar, disagreements, and the complete source shelf remain attached to the full thought-unit research record.

Biblical text

King James (Authorized) Version — eng-kjv2006

eBible.org and CrossWire Bible Society

USFM archive eng-kjv2006_usfm.zip; source files dated 2026-08-19; downloaded 2026-08-24; archive SHA-256 aec1b3b26c622fd3d963d2bbac963016b9513246ffbfa20da00bb100372ea007; normalized corpus SHA-256 09aef51d90488aa7b9722b3fd9a93f4b25f6bf2064c5fd798fb39673c300ddf2.

Supports: Exact Scripture wording, paragraph markers, supplied-word markup, and complete verse coverage.

Exact location: Song of Solomon 2:8-17, pinned eng-kjv2006 USFM corpus

Open source ↗

hebrew text and morphology

Open Scriptures Hebrew Bible: Song of Songs

Open Scriptures

Open Scriptures, release 2.2

Supports: Masoretic Hebrew wording, morphology, speaker-gender signals, wordplay, poetic clauses, and translation questions.

Exact location: Open Scriptures MorphHB v.2.2, commit 6a5db284c715c18b239422e57bb89684e6a19f00, wlc/Song.xml, 2:8-17

Open source ↗
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