Verse Lens · Expanded explanation
Song of Solomon 2:14 Explained in Context
Use this verse as a doorway into the larger passage—not as an isolated saying.
Verse 14. 14O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.
King James Version — public domain in the United States · Bible text and permissions
Quick Meaning
This verse addresses the hidden woman as a dove and asks to see her face and hear her voice.
She hears him coming before she agrees to come away
This verse is one part of that explanation in Song of Solomon 2:8-17. The complete section carries the connected meaning and how it should shape life.
Read It With
- Song of Solomon 2:8-17
Read Song of Solomon 2:14 with 2:8-17. This verse addresses the hidden woman as a dove and asks to see her face and hear her voice. The complete unit establishes this movement: The woman hears and quotes the beloved's spring invitation, but concealed space, vineyard threats, mutual belonging, and a final call across divided mountains keep union desired rather than possessed.
Why This Verse Appears Here
Spring externalizes desire as time and landscape changing, then the poem complicates the invitation with concealment, vulnerability, and delay. Within that movement, this verse addresses the hidden woman as a dove and asks to see her face and hear her voice.
Read Song of Solomon 2:8–17 together
Why these verses belong together: Approach, barrier, spring invitation, hidden voice, foxes, mutual belonging, and the call to turn form one spring poem.
Verse 8. 8 The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
Verse 9. 9 My beloved is like a roe or a young hart: behold, he standeth behind our wall, he looketh forth at the windows, shewing himself through the lattice.
Verse 10. 10 My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.
Verse 11. 11 For, lo, the winter is past, the rain is over and gone;
Verse 12. 12 The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land;
Verse 13. 13 The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.
Verse 14. 14 O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.
Verse 15. 15 Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes.
Verse 16. 16 My beloved is mine, and I am his: he feedeth among the lilies.
Verse 17. 17 Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.
Follow the Context
- The beloved approaches with animal speed and looks through a barrier.
- His quoted call says winter and rain have passed and spring is audible and fragrant.
- He asks to see the woman's face and hear her voice in hidden rock spaces.
- A plural command addresses foxes that damage tender vineyards.
- Mutual-belonging language and the call to turn close the poem without a narrated meeting.
Phrase-by-Phrase Explanation
“let me hear thy voice”
In plain language: the beloved asks for the woman's own audible response
addresses the hidden woman as a dove and asks to see her face and hear her voice. The request values her voice as well as appearance while acknowledging concealment.
Why it matters: The wording carries interpretive or ethical risk requiring the complete unit and stated limits.
How certain? probableWhat This Verse Is Not Saying
Calling someone beautiful does not authorize forcing them from shelter, showing their body, or overriding fear.
What Remains True
The request values her voice as well as appearance while acknowledging concealment.
How It Can Shape Life
- Invite a hidden or cautious person to speak without demanding exposure.
Teach It Back
Explain how Song of Solomon 2:14 contributes to Song of Solomon 2:8-17. Include what the surrounding lines add, the stated uncertainty, and what this verse does not authorize.
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Continue in Context
Read the complete section for the connected explanation and how it should shape life. This verse is a doorway into that passage, not a saying that stands alone.
Read Song of Solomon 2:8-17 — Spring Calls the Lovers OutdoorsSources used for this Verse Lens
How certain is this explanation? probable
Where care is needed
Rock clefts and steep hiding places may be literal landscape or a metaphor for distance and reserve.
These are the sources used directly for this lens. Language, grammar, disagreements, and the complete source shelf remain attached to the full thought-unit research record.
Biblical text
King James (Authorized) Version — eng-kjv2006
eBible.org and CrossWire Bible Society
USFM archive eng-kjv2006_usfm.zip; source files dated 2026-08-19; downloaded 2026-08-24; archive SHA-256 aec1b3b26c622fd3d963d2bbac963016b9513246ffbfa20da00bb100372ea007; normalized corpus SHA-256 09aef51d90488aa7b9722b3fd9a93f4b25f6bf2064c5fd798fb39673c300ddf2.
Supports: Exact Scripture wording, paragraph markers, supplied-word markup, and complete verse coverage.
Exact location: Song of Solomon 2:8-17, pinned eng-kjv2006 USFM corpus
Open source ↗hebrew text and morphology
Open Scriptures Hebrew Bible: Song of Songs
Open Scriptures
Open Scriptures, release 2.2
Supports: Masoretic Hebrew wording, morphology, speaker-gender signals, wordplay, poetic clauses, and translation questions.
Exact location: Open Scriptures MorphHB v.2.2, commit 6a5db284c715c18b239422e57bb89684e6a19f00, wlc/Song.xml, 2:8-17
Open source ↗translation and translator notes
NET Bible: The Song of Songs with translators' notes
Biblical Studies Press
Biblical Studies Press, 2006
Supports: Verse-level textual, grammatical, literary, historical, and translation alternatives.
Exact location: NET Bible Song of Songs PDF, printed pp. 1237-1239, translation and notes on 2:8-17
Open source ↗